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The Secret of Change Is to Focus All of Your Energy, Not on Fighting the Old, But on Building the New. Growing up quotes is what you need for a walk down the lane of childhood years spent growing up! Explore this article for famous growing up quotations and sayings. ANNIE DILLARD. LIVING LIKE WEASELS. A weasel is wild. Who knows what he thinks? He sleeps in his underground den, his tail draped over his nose. Sometimes he lives in. If You’re Going Through Hell, Keep Going. Winston Churchill? John Randall Dunn? Woodruff Smith? Douglas Bloch? Mario Murillo? Brian Mulroney? Anonymous? Dear Quote Investigator: Winston Churchill is often associated with quotations about steadfastness and tenacity. Return to National Register Home Page Return to HPO Home Page NEW: See the HPO Website Search Tool to conduct global keyword and name searches across most. ![]() ![]() Consider the following saying: If you’re going through hell, keep going. I have seen this statement attributed to Churchill several times, but I have never seen any solid citations. Are these really the words of the famous British Prime Minister? Quote Investigator: Probably not. Dedicated to all Paratroopers. All our sites are Picture intensive. The planes,Jumpschool, WWII and Korean Combat Jumps, and Just great Airborne pictures.![]() In 2. 00. 9 the publication “Finest Hour: The Journal of Winston Churchill” stated that the saying above was “not by Churchill, or at least not verifiable in any of the 5. In addition, the statement was placed in an appendix titled “Red Herrings: False Attributions” in the book “Churchill By Himself” which is the most comprehensive collection of quotations from the statesman. The editor was Richard M. Langworth, the top expert in this domain. This adage is difficult to trace because of the malleability of its expression. The earliest evidence located by QI appeared in a religious context in the October 3. Christian Science Sentinel” journal of Boston, Massachusetts. The saying was presented in dialog form. Boldface has been added to excerpts: 3. Someone once asked a man how he was. He replied, “I’m going through hell!” Said his friend: “Well, keep on going. That is no place to stop!” If you seem to be going through the deep waters of physical anguish and cannot for the moment seem to gain the understanding which binds the strong man, keep on going—keep on clinging to Truth, and hear again the comforting, strengthening message, “My grace is sufficient for thee.” God, divine Love, is eternally sustaining His child, and will “bind the power of pain” as surely as the summer sun will melt the stubborn frost. The passage above was written by a Christian Science lecturer and editor named John Randall Dunn, but the dialog was attributed to an unnamed man and his anonymous friend. The saying appeared again in the pages of the “Christian Science Sentinel” in July 1. J. Woodruff Smith. He also credited the dialog to anonymous individuals: 4. A man who was going through deep waters of fear called a Christian Science practitioner. In anguish he cried, “Oh, you don’t know what I’m going through. I’m just going through hell.” With vigor his helper replied, “That’s no place to stop. Keep going.” There was a short silence. Then a ripple of amusement followed by a wave of laughter as the mesmerism burst. Here are additional selected citations in chronological order. In 1. 99. 0 “The Oregonian” newspaper of Portland, Oregon printed a variant instance. A self- help author and counselor named Douglas Bloch was profiled in an article that contained the following in its title: “If You’re Going Through Hell, Don’t Stop”. The phrase “don’t stop” was used instead of “keep going”. Within the body of the article Bloch spoke a slightly different two- part comment- response version of the maxim to his interviewer: 5. When someone says, “I’m going through hell,” the best response is to tell them, “Don’t stop!” Bloch maintains. If we see that pain, grief and tough times are a process and that it will get better, we’re less likely to get stuck in the hell. Further below is a 2. Bloch disclaimed credit for the expression, and linked it to Winston Churchill. In 1. 99. 3 the book “Ordinary Miracles” by Linda Crew was published with a saying that closely matched the title of the 1. The author gave no ascription and indicated that the expression was already in circulation 6. He studied me for a moment. Why don’t you consider just taking a breather? Even if you’re determined to go on, nothing says you have to do it right away.”No, I had to be done with this one way or the other. You know what they say—when you’re going through hell, for Pete’s sake, don’t stop. In 1. 99. 4 another instance closely matching the 1. When Lucifer and Jezebel Join Your Church” by Dick Bernal. The work began with a page of “Quotable Quotes”, and the following three statements were listed first: 7. Life is just a test. This is only a test.—Kevin Gerald. When you’re going through hell, don’t stop.—Mario Murillo. Never, never, never, never quit.—Sir Winston Churchill. The saying was ascribed to Mario Murillo, an evangelist. Note that the adjacent remark was credited to Churchill, and sometimes contiguous quotations have resulted in confusion and reassignment, but QI does not know if an error was introduced at this point. In October 1. 99. Archer Daniels Midland Company was published in the “Herald & Review” of Decatur, Illinois. The ADM chairman, Dwayne O. Andreas, described a comment made to him by board member Brian Mulroney, the former Canadian prime minister. Mulroney spoke the modern version of the quotation attributed to Winston Churchill, and this was the first linkage to Churchill located by QI: 8. Andreas closed the meeting by admitting he and the company had been through tough times lately. He said Mulroney asked him if the press had been giving him hell. When Andreas said such was the case, Mulroney quoted Sir Winston Churchill: “If you’re going through hell, keep going.”In June 1. Wally Amos, the founder of Famous Amos Cookies, relayed an entertaining variant of the expression during a newspaper interview: 9“A friend of mine gave me a wonderful quote,” he said. If you’re going through hell, don’t stop. Here’s what you do: You go ahead, go ahead, go ahead, go ahead, go ahead. Don’t stop.”In December 1. Usenet discussion system that contained an instance of the quotation attributed to Winston Churchill. The adage appeared with other sayings appended to the end of a message about the Windows 9. When you’re going through hell, keep on going.” — Winston Churchill. In 2. 01. 4 the author Douglas Bloch uploaded a video to “You. Tube” in which he discussed the provenance of the expression containing the phrase “don’t stop”. Bloch said that he first heard it from a minister who had derived it from a remark ascribed to Winston Churchill: 1. Hello my name is Douglas Bloch. I am an author and a depression survivor, and I’d like to share something to you that means a lot to both Noah and myself. It’s a phrase called “When going through hell, don’t stop”. Now, I first heard this when I was on a radio show in 1. California with a minister talking about affirmations, and he used this phrase, and I thought it was very, very clever. So I asked him after the show “How did you come up with it?” He said it was actually his take on a phrase that Winston Churchill had used called “When going through hell, keep going”. In conclusion, the saying was in circulation by 1. It appeared in a Christian Science periodical in that year in dialog form, but the attribution was anonymous. The second earliest citation was also in a Christian Science periodical in 1. Winston Churchill died in 1. QI has found no substantive evidence that he used the expression. Attributions to him appeared only many years after his death. There are two popular variants containing the phrases “keep going” or “don’t stop”, and neither has been found in the writings or speeches of Churchill. Image Notes: Flames from Logga. Wiggler at Pixabay. Winston Churchill giving . Images have been cropped and resized.(Great thanks to George Mannes whose query led QI to formulate this question and perform this exploration. Thanks to the librarians of the Bethel Seminary Library of St. Paul, Minnesota for helping to verify the 1. Thanks to the staff at sentinel. In addition, thanks to Charles Doyle of the University of Georgia for help with the 1. Also, thanks to Fabrizio Benedetti who told QI that Douglas Bloch had disclaimed credit for the phrase in a 2. You. 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WYW #H0- Lost Wilderness. YNP5 Q& %9 HP5+ SWK5 6. P0 W1%WLunar Ribbon +C5. P J0. R4 PYFN CC4. K & 5. 1 0. KRYMagmorter recruitment Apple Woods HP4. W - @TF N7. T7 5. F#6 6. H=7 #7. R=Maze Cave Boss Gabite Gabite's Scale reward 7. SR - H2. MP 0+4 Y6. FY 1& Y+ #R9. SMidnight Forest 2. SR T5+- X& QC P9@2 ==X9 P#NHMiltank HF4. C J4& X =@1. 6 5. YJ C%5. M +PRTMobile Scarf Crevice Cave 9. F & & HJ QM4. S2. SM OM5. 2 RCHK MFJ@Moon Stone & +8+ =QX= - 6. M% 7. M4+ +- PS QP%KMossy Rock 5. KTH TPTJ PF6. T & 0. S9 Y4. 5H PQ8. KMt. Avalanche Cave Boss Articuno Ice Flute reward (increases Ice- type Pokemon recruitment) 4. MP= K9. 8# CT%Y R@- - & P7% %K8. Mt. Mistral Q& +2 %1. CS S1. XM WY- 4 8. T0. T C2. 0YMysterious Jungle Boss Mew Grass Trumpet reward (increases Grass- type Pokmon recruitment) X%8. S WYY+ S- JF PFH@ @##K 5. W8. KOran Forest R#F& =7. R3 R3. 7X +Q+& 6. FWK YJN5. Oval Stone X& =5 - Q& X 2. W=K R9. 7X N6. CP T=5+Pachirisu#S%K +NS8 =3=F 8. Q 3. C%5 5. 6& 4. Piplup (female) N@3. SM9 6- R6 2. Q2. K #MJ% - 6+YPsych Up 4. W= #- MK 3=NH Y3. P4. 44 6. M#QRampardos Drenched Bluff B5. F @T1. K JYJ4 R4. K+ NN@- RKKK JH3. Recruit Eevee. Y2. YS W5. 95 T=XJ 3. Y0 TWW2 +RY0. Recruit Luxray. J4. 45 H1. NT 0. 51@ J++3 3. Q& PReviver Seed 0& %9 =Q& X 2. H4. K RCT6 XJ9& 5=8. Riolu. 6@YW ST%H +TN& C0. K7 Y7#& SQ- 7. Riolu. C=RS QTC- 3. S%T M#QQ 8& FW CJ4. Roost MX8. 1 6@- W 7. R PMN- X@K- H0. H4. Rotom. 0K3% 1. Y& W H3. M4 4. P6. R & RW0 +- PWSafeguard '@Q- # - RPY S4. H+ %SQM #4. PQ N0. X0. Serenity River PQ1. R - KQ@ CFXC WF5. XN1 6. H0. CSerenity River X- Scissor reward S6. P& 1. 98+ - 5. QY R& 2. 2 FJMK W1. XFShiftry 3. 3SC 7. WNH & P8. F 8. QFX %0#- 4. 3R4. Shimmer Hill 8#QX 4. Q& X WWFK R1. F 5=C9. Shimmering Desert Boss Groudon Earth Cymbal reward (increases Ground- type Pokemon recruitment) #& S6 NY2& YJN= 1. P5. 7 F0. MN MH7. YSky Stairs Boss Rayquaza Flying Pianaca reward (increases Flying- type Pokemon recruitment) HW+8 6. T 5. S5. 1 +J5. Y 4- K# H@P- Smeargle PMJ- & T@9 =5.H3 H4. H0 +& X0 =@%JStamina Band 6.YMY 2. 7FM FRW2 MKTP T9. Use Restrictions On Your Iphone, Ipad, And Ipod Touch . J4 NRM0. Stone Plate S=W7 3& 8.S 2. CSQ 0- 7. Y HP3+ H2.Sun Ribbon %1. T7 #TWY J+9.W@= J+Q@Swords Dance 0. T& Y FQ7. C JHH8 M7. W# MKK1 - M1%The Great Hole Boss Giratina Rock Megaphone reward (increases Rock- type Pokemon recruitment) WNWY JXTK & 5. C1 4. N3- P4. NM 8. K& CTiny Meadow #PS9 QK5. PPN F@+Q TX#- HQ7. TTiny Meadow FCCS #0. T+6 Y#0. 3 3. P@Y PQ#@Tiny Meadow SNYK F+3- ##R& & X5. T RM6. J 9- RFTM Dig 4- 1. P@1. X S%4. 5 H5. WS 0. 84& P+- R6. TM Blizzard 7. P5. J - 1. 2X TKXQ 9. C=X TPHW F1. FRTM Flamethrower 6. S+& 2. YNC 6. F 8. JF4 CF2. 7 P%Q@TM Grass Knot QM5= @J4. J #+8= & H4. 8 Q2%4 J1. K3. TM Overheat P%#F RRFX P2@0 6. Y3. 1 PCQ8 K@7@TM Poison Jab %Y- 7 J2. H8 3. HWH @=1. P P6. YM 9. S7. JTM Psychic HXK8 8- NS - XJ5 X0. W@ W8. NS S#HTTM Recycle 9%Y7& 6. TYHJ3. 4XYTR4. J=RJ3. Tyranitar recruitment TKTW W=TK 5. WJ# 3. WFR 0. C1. K0. 1XVacuum- Cut M- @J HFCC CMR8 & WS# 1=0. TW& Weavile (female) recruitment 4. N%Q 8. M6. 4 M3. XQ 8. P0. 3 7. 0XW - XM3. X- ray Specs %1. K4 W3. M H3. KP WS0. R S& PJ 8. QJPYanmega Crystal Cave B8. F WTN1 XQ9. C Q8#4 QR%J N4. F8. F#Zinc Band @WWH K8. X1 8@C+ C8. KT N5. Cheats & Codes for PC (PC) Games Starting with CCheats, cheat codes, unlockables, achievements, easter eggs, glitches, guides and more for PC (PC) games beginning with C. Cheatcodes. com has everything you need to dominate PC (PC) games. Click the name of the game you want to see all the cheats we have for it! The course will cover 7 modules, starting each September and finishing in April (time available to study is shortened if you start after September), followed by a final online examination.Upon passing the examination a EULAR certificate will be issued.If the course is not completed or the exam failed after the first year, the course will automatically extend for one more year without charge. Download Free Games For Nokia 6120C . It is our objective to offer theoretical basic skills on musculoskeletal ultrasound (MSUS) showing different joint sites, in healthy subjects and in rheumatic diseases, using a wide variety of images and video clips.The course is being updated on a yearly basis.Knowledge and skills are targeted at the level felt to be appropriate for European rheumatologists who would like to acquire a basic theoretical knowledge on MSUS. Using image guidance for joint access is a valuable fundamental skill. The purpose of this article is to review fluoroscopic and ultrasound-guided. Clinical Guidelines, Diagnosis and Treatment Manuals, Handbooks, Clinical Textbooks, Treatment Protocols, etc. ![]()
Participants of this course might later plan to continue with the training program by attending EULAR MSUS Courses and/or MSUS courses with EULAR endorsement. QT Eats: Tarantino`S 20 Best Food Scenes . PRICE The online course was developed with a substantial grant from EULAR and is continuously highly subsidised by EULAR, so that the entire course can be offered at EUR 1.Discounted price for low and middle income countries with GDP below 1. ![]() An award-winning, radiologic teaching site for medical students and those starting out in radiology focusing on chest, GI, cardiac and musculoskeletal diseases. US$: EUR 8. 6. Please refer to official list. BOOKSYou can order the EULAR Textbook on Musculoskeletal Ultrasound in Rheumatology as a package together with the onlince course when registering or separately through the publisher, BMJ. This EULAR Textbook on Musculoskeletal Ultrasound, launched during the EULAR 2. 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It's a quick, fun way to improve your chess game. When you’re meeting a dog for the first time, it’s hard not to slip into that high-pitched, “goochy-goo” voice people use to talk to babies. A new study. Zugzwang - Wikipedia. Not to be confused with Zwischenzug, which is playing a move not normally expected. Zugzwang (German for . The fact that the player is compelled to move means that their position will become significantly weaker. A player is said to be . According to John Nunn, positions of reciprocal zugzwang are surprisingly important in the analysis of endgames. Originally the term was used interchangeably with the term zugpflicht 'obligation to make a move' as a general game rule. ![]() ![]() ![]() Games like chess and checkers have . Tabletop war games or role playing games have not: on his turn a player can simply decide to . Over time however the term became especially associated with chess. According to chess historian. Edward Winter, the term had been in use in German chess circles in the 1. Check out "Crushing the King" Video Course by CM Kingscrusher and GM Smirnov In this course GM Igor Smirnov together with CM Tryfon will teach you the strategies and.Amelung employed the terms Zugzwang, Tempozwang and Tempozugzwang on pages 2. September 1. 89. 6 issue of the same magazine. When a perceived example of zugzwang occurred in the third game of the 1. Steinitz and Lasker, after 3. Rg. 8, the Deutsche Schachzeitung (December 1. Zugzwang is required to win the elementary (and common) king and rook versus kingendgame. Kf. 4puts Black in zugzwang, since 3.. Free Kindle eBooks. Every day we bring you a comprehensive list of free ebooks for download for your Kindle. The list is compiled from ebooks which are promoted free. 101 relationship tips that are easy impactful, and will help you improve any partnership right now. If you own a Kindle, Kindle Fire or Kindle Fire HD, you probably already realize that it does not come with an adapter plug for the wall. When purchased brand new. 6 tips to make your seminar or event emcee script sparkle. November 26, 2014. Search for Dow products, careers, events and more. Kc. 4 4. Kg. 3 Kd. Re. 1 and White wins. The only legal move is 2.. White promotes a pawn first and then checkmates with 3. Q h. 1=Q 7. Qg. 7#. His 1. 8th rule is: . Walker wrote of the superior side's decisive move: . After 1. Ra. 6, Black is in zugzwang and must allow mate on the next move with 1.. B (moves) 2. Rxa. In chess literature, most writers call positions of the second type zugzwang, and the third type reciprocal zugzwang or mutual zugzwang. Some writers call the second type a squeeze and the third type zugzwang. Zugzwang typically occurs when . The first diagram at left shows the simplest possible example of zugzwang. If it is White's move, they must either stalemate Black with 1. Kc. 6 or abandon the pawn, allowing 1.. Kxc. 7 with a draw. If it is Black's move, the only legal move is 1.. Kb. 7, which allows White to win with 2. Kd. 7 followed by queening the pawn on the next move. The second diagram at right is another simple example. Black, on move, must allow White to play Kc. Ke. 5, when White wins one or more pawns and can advance his own pawn toward promotion). White, on move, must retreat his king, when Black is out of danger. Whenever the white king is on d. White to move, the black king must be on d. In many cases, the player having the move can put the other player in zugzwang by using triangulation. This often occurs in king and pawn endgames. Pieces other than the king can also triangulate to achieve zugzwang, such as in the Philidor position. Zugzwang is a mainstay of chess compositions and occurs frequently in endgame studies. Examples from games. Taimanov, 1. 97. 1, second game. Position after 8. Bf. 5, Black is in zugzwang. Some zugzwang positions occurred in the second game of the 1. Bobby Fischer and Mark Taimanov. Kg. 6and Black is again in zugzwang. The game ended shortly (because the pawn will slip through and promote). Kf. 6 1–0. Fischer versus Taimanov, fourth match game. Taimanov, 1. 97. 1, fourth game. In the position on the right, White has just gotten his king to a. White now needs to get his bishop to f. Play continued: 5. Bf. 7 Ne. 7Now the bishop is able to make a tempo move. It is able to move while still attacking the pawn on g. Be. 8and Black is in zugzwang. Knights are unable to make a tempo move. The black king must give way. Kxc. 5and White has a won position. Either one of White's queenside pawns will promote or the white king will attack and win the black kingside pawns and a kingside pawn will promote. Black resigned seven moves later. Flear, 1. 98. 8Position after 8. Black to move is able to hold the draw. This position from a 1. Vitaly Tseshkovsky and Glenn Flear at Wijk aan Zee shows an instance of . A draw by agreement was reached eleven moves later. Reciprocal zugzwang, White to move draws, Black to move loses. A special case of zugzwang is reciprocal zugzwang or mutual zugzwang, which is a position such that whoever is to move is in zugzwang. Studying positions of reciprocal zugzwang is in the analysis of endgames. However, the player who is not in zugzwang must play carefully because one inaccurate move can cause him to be put in zugzwang. If Black is to move, they must move 1.. Kd. 7 and lose because White will move 2. Kb. 7, promote the pawn, and win. If White is to move, they must either move 1. Kc. 6 which is a draw because it stalemates Black or they must abandon the pawn, which is also a draw after Black captures the pawn. Since each side would be in zugzwang if it were his move, it is a reciprocal zugzwang. It is also called a full- point mutual zugzwang because it will result in a loss for the player in zugzwang, resulting a full point for his opponent. When there is only one pair of corresponding squares they are called mined squares. In the diagram on the right, if either king moves onto the square marked with the dot of the same color, it falls into zugzwang if the other king moves into the mined square near them. Acs. Black to move puts White in zugzwang. Zugzwang usually works in favor of the stronger side, but sometimes it aids the defense. In this position based on a game between Zolt. Kc. 4!! Reciprocal zugzwang. Nc. 3 Kb. 4Reciprocal zugzwang again. Kd. 3 Bg. 7Reciprocal zugzwang again. Nd. 5+ Kxa. 4 7. Nimzowitsch, 1. The game Fritz S. According to Nimzowitsch, writing in the Wiener Schachzeitung in 1. If he plays 1. Rc. Rd. 1, then 1.. Re. White's queen; 1. Kh. 2 fails to 1.. R5f. 3, also trapping the queen, since White cannot play 2. Bxf. 3 because the bishop is pinned to the king; 1. R5f. 3 2. Bxf. 3? Angos analyzes 1. Kh. 8 (waiting) 4. Kg. 8 and White has run out of waiting moves and must lose material. Best in this line is 5. Nc. 3!? Even if White could pass his move he would still lose, albeit more slowly, after 1.. R5f. 3 2. Bxf. 3 Rxf. Lasker, 1. 89. 6–9. This game between Wilhelm Steinitz versus Emanuel Lasker in the 1. World Chess Championship. After Lasker's 3. Re. 8–g. 8!, Steinitz had no playable moves, and resigned. The queen cannot move without abandoning either its defense of the bishop on g. Qg. 2#. White's move 3. Rxg. 5 3. 6. The move 3. Kg. 1 allows 3. 5.. Qh. 1+ 3. 6. Kf. 2 Qg. The rook cannot leave the first rank, as that would allow 3. Qh. 1#. Rook moves along the first rank other than 3. Rg. 1 allow 3. 5.. Qxf. 5, when 3. 6. Bxh. 4 is impossible because of 3. Rg. 2+; for example, 3. Rd. 1 Qxf. 5 3. 6. Bd. 7, winning. That leaves only 3. Rg. 1, when Black wins with 3. Rxg. 5! 3. 6. Qxg. Rxg. 5? Qh. 1#) Qd. Rg. 3 hxg. 3+ 3. 8. Qxg. 3 Be. 8 3. 9. Qxg. 3+ 4. 0. Kxg. Dvoretsky, USSR 1. Podgaets vs. Dvoretsky. Final position, after 3. Kh. 6!! Soltis writes that his . Podgaets–Dvoretsky, USSR 1. Nc. 3 Be. 7 5. Nf. Bg. 4 6. h. 3 Bxf. Qxf. 3 Bg. 5! Black exchanges off his bad bishop, but does not allow White to do the same. Bxg. 5 Qxg. 5 1. 0. Qe. 7 1. 1. Be. 2 h. Kg. 7 1. 4. 0- 0 Nh. Nd. 1 Nd. 7 1. 6. Ne. 3 Rhf. 8 1. 7. Qg. 2 Nxf. 5 2. 0. Nxf. 5+ Rxf. 5 2. Rxe. 4 Rxe. 4 2. 6. Qxe. 4 Qxh. 4 2. 7. Bf. 3 Rf. 8!! Bh. Qxh. 4? Nxf. 3+ and 2. Nxh. 4 leaves Black a piece ahead. Ng. 4 2. 9. Qg. 2 (see diagram at left) Rf. Qxf. 3 Qh. 2#; 3. Rb. 1 Rxf. 2 3. 2. Qxg. 4 Qh. 2#). That leaves only moves of White's b- pawn, which Black can ignore, e. Kg. 7 3. 2. b. 4 Kh. White has run out of moves. Rossetto, 1. 95. 9Position after 3. Ba. 4–b. 3!, Black is in zugzwang. In this 1. 95. 9 game. That leaves only pawn moves, and they quickly run out. Arkell after 9.. axb. Rowson, White is in Zugzwang Lite. Portisch vs. Tal, position after 1. Bd. 7; White to play, but Black has the easier game. Jonathan Rowson coined the term Zugzwang Lite to describe a situation, sometimes arising in symmetrical opening variations, where White's . The position at left arose after 1. Bg. 2 Bg. 7 4. Nc. Nc. 6 5. a. 3 a. 6 6. Rb. 1 Rb. 8 7. b. Here Rowson remarks, . This doesn't matter much, but it already points to the challenge that White faces here; his most natural continuations allow Black to play the moves he wants to. I would therefore say that White is in 'Zugzwang Lite' and that he remains in this state for several moves.? Kh. 2 The position is still almost symmetrical, and White can find nothing useful to do with his extra move. Rowson whimsically suggests 1. Black to be the one to break the symmetry. Rowson notes that this is a useful waiting move, covering e. Black in fact played on his 2. White cannot copy it, since after 1. Re. 1? Nxf. 2 Black would win a pawn. After 1. 8. Be. 3?! Rc. 6! Black seized the initiative and went on to win in 1. Another instance of Zugzwang Lite occurred in Lajos Portisch versus Mikhail Tal, Candidates Match 1. Symmetrical Variation of the English Opening, after 1. Nf. 3 c. 5 2. c. 4 Nc. Nc. 3 Nf. 6 4. g. Bg. 2 Bg. 7 6. 0- 0 0- 0 7.Rb. 8 9. Rb. 1 b.Bd. 2 Bd. 7. Soltis wrote, . Strategy For The Drinking Game Flip Cup on this page. But Mikhail Tal said it is easier to play. By moving second he gets to see White's move and then decide whether to match it. Instead, he plays to prove that White's queen is misplaced by breaking the symmetry. Threatening 1. 5.. Nxe. 2+. 1. 6. Nxd. Bxh. 6 1. 7. Qxh. Rxc. 3 1. 8. Qd. 2 Qc. Rfc. 1 Rc. 8 Although the pawn structure is still symmetrical, Black's control of the c- file gives him the advantage. Berlekamp, Conway & Guy 1. Elkies 1. 99. 6, p. Winter 1. 99. 7^ ab. Winter 2. 00. 8^ ab. Nunn 1. 99. 5, p. Nunn 1. 99. 9, p. Soltis 2. 00. 3a, p. Davidson 1. 98. 1, pp. Soltis 2. 00. 9, p. Angos 2. 00. 5, pp. Sukhin 2. 00. 7, pp. Hooper & Whyld 1. Philidor 2. 00. 5, pp. Lasker 1. 96. 0, pp. Walker 1. 84. 6, p. Shibut 2. 00. 4, p. Hooper 1. 97. 0, pp. Perlo 2. 00. 6, p. Flear 2. 00. 4, pp. Fischer vs. Taimanov 1. Wade & O'Connell 1. Kasparov 2. 00. 4, p. Nunn 1. 99. 5, p. Silman 2. 00. 7, pp. Averbakh 1. 98. 4, pp. Flear 2. 00. 7, pp. Soltis 2. 00. 3b, p. Flear 2. 00. 7, p. Tseshkovsky vs. Flear, 1. Stiller 1. 99. 6, p. Hooper 1. 97. 0, p. Averbakh 1. 99. 3, p. Nunn 2. 00. 2, p. Flear 2. 00. 4, p. Dvoretsky 2. 00. 3, p. Dvoretsky 2. 00. 6, p. Angos 2. 00. 5, p. Angos 2. 00. 5, p. November 2. 6, 2. Andy Saks“Hey, we really need an emcee for our upcoming event. Last year we didn’t have an emcee, and the event was so lifeless and dull. Would you do the honors?”This is the moment many would- be emcees dread. They’re drafted into service, and take the gig reluctantly. Does that sound like your situation? Andy emcees AT& T’s 2. Solution Provider Champion Awards Dinner in Dallas. If I asked you why you’re filled with such trepidation, you might respond, “I don’t know what to say” or “I’m afraid I’ll say the wrong thing and bomb.”You’ve already embraced a worst- case scenario featuring you on stage, fumbling awkwardly for words, humiliating yourself in front of legions of people with camera phones and You. Tube access. If that’s your vision, know this: you can have fun as an emcee. It can be done. I’ve done it. And when you have fun as an emcee, it really is a magical experience. You generate a connective energy in the room that’s just intoxicating, and will leave you wanting to do it again. But as with any live performance, emcee work does carry a real risk of failure. If you don’t prepare well, you won’t execute well, and that experience is exactly as excruciating as you think it is. RELATED POSTS: 4 Key Tips to Help You Be a Good Emcee. Power. Point Alternatives That Make Your Presentation Memorable. WHY BAD EMCEEINGHAPPENS TO GOOD PEOPLEIn my experience, the most common reason emcee gigs don’t end well is this: the emcees don’t start their shows well. They fumble through the critical first few minutes, setting an awkward, underwhelming tone from which it’s hard to recover. This post, the first of a two- part set, will help you avoid that. As a professional emcee for AT& T (read about that), Best Buy, Microsoft and others, I’ve learned over many years and events that a great emcee performance starts with a great emcee script. Here are six key components good emcee scripts include, and many not- so- good emcee scripts leave out. They’ll help you connect, relax and establish yourself in the opening minutes of your event, which will make everything else flow better. EMCEE SCRIPT TIP 1: USE A “VOICE OF GOD” INTRODUCTIONIt’s true what they say about first impressions: you never get a second chance to make one. Your first impression sets the tone for the whole event. So what do you want your first impression to be? In those key opening seconds of a special event, you no doubt want to create eager anticipation, energy, and suspense. That won’t happen if you just walk on the stage and start talking over your audience members (or shushing them). That approach ensures your program will start with an awkward whimper, not a bang. Instead, use what’s called a “Voice of God” introduction to start your proceedings. The Vo. G isn’t complicated; it’s literally just someone with a deep radio announcer voice starting your event by standing offstage somewhere and introducing you before you take the stage. Here’s a sample: “Ladies and gentlemen, welcome to . And now, here’s your host, . For example, when I emceed one of the AMD/Microsoft North American Tech Tours back in 2. Voice of God introduction emphasized my knowledge of blazing- fast computer chip speed, which was the event’s theme: “Ladies and gentlemen, welcome to the AMD/Microsoft Tech Tour 2. And now, please welcome your host, the Seeker of Speed, the Sultan of Swiftness, the one, the only, Andy Saks!”See for yourself; here’s the video from our Seattle show on that tour. As you can see, the Vo. G intro works even better when the house lights are down, the spotlights move wildly, and there are very loud guitars playing. Audition Dance Battle PH Forums . Don’t have someone to do this for you live? Don’t be afraid to deliver your own. I’ve delivered my own Voice of God introductions at events I’ve emceed, introducing myself while hiding behind the crew table, then running on stage to start the show. Or try having your Vo. G intro pre- recorded by a professional; you can find countless voice- over artists at freelance sites who’ll do this for a song. EMCEE SCRIPT TIP 2: THANK EVERYONESuccessful emcees are both grand and humble. You can demonstrate the humble part by immediately acknowledging the contributions of everyone who helped create your event, showing your audience you know your event isn’t all about you. Here’s a partial list of people you can thank: 1. THE EVENT PLANNERS for planning a great event. Event planners are the unsung heroes of events, and tend to get noticed only when something goes wrong. They deserve a BIG moment of recognition. As as the emcee, you’re perfectly positioned to deliver it by inciting a round of applause from your audience. THE PRODUCTION CREW for building the set, lighting, audio, video, slides, decorations, etc. The production crews I’ve worked with toil tirelessly, hauling massive cases from the loading dock, assembling scaffolding, seating, video wiring and drapery for hours, then running the whole show from the crew table. They too deserve your public acknowledgement. THE AUDIENCE for showing up. Without them, you’re just a crazy person talking to an empty room, right? Thank your audience members sincerely for their time, their attention, and (if it applies) their passion and efforts for your organization and its mission. You’ll win them over and give credit where it’s due all at once! Here’s a sample video of me thanking the audience when I served as auctioneer at the Boston Jewish Film Festival’s 2. Gala, held at Theatre 1 in Boston. Starting around the 0: 4. BJFF: EMCEE SCRIPT TIP 3: TELL THEM WHO YOU ARESounds obvious, right? You’d be amazed at how many emcees I’ve seen who forget to identify themselves. This lapse leaves a nagging hole in your audience’s understanding of the proceedings. They see you, but don’t know who you are or why you’ve been chosen for this central role in the event. So while you’re off pontificating about other topics, they’re still ruminating on why you’re up there to begin with. Ah, but maybe you’re confident that everyone in your audience already knows you? Introduce yourself anyway. There may be friends, colleagues, special guests, and spouses in your audience who don’t know you. And those who know who you are may not really understand what you do, or how and why you got tapped for the emcee role. I’d suggest mentioning: — Your first and last name (yes, both)— Your official title in the organization sponsoring the event— Your role within that organization (summed up in one casual phrase or sentence)— Some sense of why you were tapped as the emcee* BONUS: Express to your audience that you’re honored and humbled to serve in the emcee role. Reassure them you know how special it is, and you’re happy to do it. EMCEE SCRIPT TIP 4: TURN YOUR MONOLOGUE INTO A CHATEmcees can get overwhelmed with performance anxiety before taking the stage, wondering how they’ll do all that talking when their hearts are pounding and their limbs are shaking. If that’s you, share your speaking burden with your audience by engaging them in something of a conversation. The most common approach is to ask three questions on a relevant topic, such as who’s attended previous events, or who’s traveled the farthest to attend this year. The first question sets the terms, the second ups the ante, and the third plays off the first two as a joke. Here’s a sample script: “Show of hands: who traveled at least two hours to be here?” . I snuck in TWO of these three- question sets: — At the 2: 0. I asked audience members about their association with the stadium (the Wes Welker reference related to a photo on the screen of an Atrion employee wearing a painted face and Welker jersey).— At the 2: 4. I polled audience members about their attendance at past Always. On Symposia, and saved the biggest “ginormous” round of applause for first- time attendees. In the 1. 5- 2. 0 seconds it takes to ask questions, you’ve not only lessened your own performance anxiety with a few key seconds to breathe and collect your thoughts. You’ve connected directly with your audience members, assessed their collective mood, discovered the extroverts (who respond to every question) and introverts (who always stay silent), and shown everyone you care about their contributions to the proceedings, all of which helps you relax on stage. EMCEE SCRIPT TIP 5: SHARE KEY EVENT INFORMATIONWhen an event starts, audience members will inevitably be harboring nagging logistical questions about it: Will I get home in time to relieve the babysitter? Who validates my parking? Should I pee now, or wait for a break? If you don’t answer these questions, they tend to become distractions that prevent your audience members from giving you their full attention. In your first few minutes on stage, put them at ease and set their expectations by giving them the full agenda for your event. Here are some details worth including: — The general order of proceedings in your event (what happens first, second, third, etc.)— When you’ll take a break for a meal, networking time, etc., and how long the break will last— Where key elements of the venue are located, like restrooms, prize tables, and autograph sessions— Explicit instructions for anything in which audience members are directly involved (“In ten minutes, we’ll ask each of you to vote for your favorite item using cards we’ll distribute when the vote starts, so start thinking now about who gets your vote!”)EMCEE SCRIPT TIP 6: TELL THEM WHY YOUR EVENT IS SPECIALSpecial events should be just that: special. Part of giving your event that extra shine is helping audience members understand the deeper contextual meaning of your event. 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